Vinyl & Book out now:…..

Grand Prix d’Amour Productions proudly presents:

Nicholas Bussmann – Instructions

Nicholas Bussmann Revolution Songs in an AI Environment
The News Trilogy

In the beginning there was an instruction, 
initiating a moment of play which took the form of a book;
a book that emerged out of a solo exhibition held by Nicholas Bussmann
at the TAXISPALAIS Kunsthalle Tirol.

Several games and ‘plays’ were staged in the exhibition,
where repetitions of repetitions
were repeated
and then again.
How can the practice of the artist be translated into the form of a book?
Bussmann answered this question by incorporating his generative model
of programmatic instructions into the book itself.
The elements that typically form Bussmann’s games remain at play here.
The reiteration of world-building, as with the sung news or the series of iterative texts
in an artist book, let flash in their collision the idea of a bigger picture—
not yet drawn, uncannily complex and heterotopic,
but nonetheless a powerful stance for imaginative action.

(excerpt Epilogue by Nina Tabassomi)
with texts by:
Vinit Agarwal, Lindy Annis, Garnette Cadogan, Philippe Cerf, jee chan,
Yun-han Chang,Jo-hsin Chen, Freya Chou, Communist Lost Soul Capital O,
Damien Desamory, Franz Friedrich, Michael Guggenheim, Karin Harrasser, Stefan Heidenreich,
Hannah Hurtzig, Yan Jun, Alexander Klose, NaP, Natascha Sadr Haghighian,
Els Silvrants-Barclay, Nina Tabassomi and Tim Tetzner.
Nicholas Bussmann Instructions
120 pages
TAXISPALAIS Kunsthalle Tirol & Verlag für Moderne Kunst
Nicholas Bussmann
The News Trilogy / Revolutions Songs in an AI Environment
LP inklusive digital download
subjam China
T–p records Austria
Taxispalais offers  a winter special package of the Book & LP 30€  here!
or via bandcamp where you can also listen to the music.
for China (PRC) please order via subjam’s bandcamp


News Trilogy part I at Maermusik


Nicholas Bussmann
The News Trilogy Part I: The News Blues (2014)
Sat.12.5.2016 Haus der Berliner Festspiele

Cottbusser Chor
Lucile Desamory
Yusuf Ergün
Margareth Kammerer
Laura Mello
Eduard Mont di Palol
Rico Repotente
Todosch Schlopsnies

Cottbusser Chor 645-17

“The News Blues” is a musical and social experiment using the tools of algorithmic composition. Nicholas Bussmann approaches news as a data stream, processed, imitated, harmonised, misunderstood and transformed into a polyphony of voices and meanings by seven performers with differing mother tongues. “The News Blues” questions the relationships between language and music, sense and nonsense, the causes of exclusion and integration, the manufacture of consensus and opinion. Presented as live durational performance in the Haus der Berliner Festspiele’s Kassenhalle, “The News Blues” accompanies an evening devoted to algorithmic composition.

The News Blues & Major News Minor News at Hangar Bicocca

Nicholas Bussmann at Hangar Biccoca

The News Trilogy (Part I and Part II)
by Nicholas Bussmann
Part I – The News Blues
Part II – Major News / Minor News
Nicholas Bussmann approaches news as data stream to be processed by 7 performers of various languages executing a composition or in other words: an algorithm. The composition is a set of simple instructions to structure the performance on multiple levels, to filter, harmonize or decompose the news and trigger social interaction between the performers. Would this be set in Mexico City in the mid 1980’s and chances would be that a political cartoon by Damián Ortega would appear along the performance. In fact, the news and newspapers have been addressed by Ortega in some of his works. His show at the Barbican in London, in 2010, consisted of a series of works created as a response to the daily news during the previous month leading up to the exhibition opening.
In Bussmann’s “The News Blues”, the part I of the trilogy, a lead singer sings an article in a newspaper in his language. The other performers, whilst some might not understand, mimic what they hear, building up harmonies. Seven harmonies and three instructions form together the algorithm of “The News Blues”. This establishes a continuous change of hierarchy inside the group. It gives everybody a stage to play the others, make them do, conduct, make believe.
A piece of news which is interpreted by one performer is mimicked, harmonized, misunderstood and transformed to the essence of news in modern society: a stream of excitement. The News Trilogy, is a musical and social experiment with  the means of algorithmic composition. It works an intricate transformation running at different levels – structural, semantic, processual – in ways that resonate with Ortega’s body of work.
During a section of the presentation of The News Blues, on the second day of performances, the audience is invited to participate, joining the performers, 
“The News Blues” was premiered in Berlin in 2014 and performed 42 times at the Shanghai Biennial 2014/15, with the participation of local singers singing in different Chinese dialects. It was also performed at Fundação de Serralves in Porto, where part II of the Trilogy was premiered.
Nicholas Bussmann is a composer and artist. Trained as a cellist, he has been expanding his practice into various connecting music genres, from electronics to conceptual music, as well as art fields. He is a founder member of Kapital Band 1, Nicholas Desamory, Telebossa and Rydberg. As a curator he promotes music in art context working for the Berlin Documentary Forum and Shanghai Biennale 10
Concept and composition: Nicholas Bussmann
Performers: Eduard Mont de Palol, Laura Mello, Lucile Desamory, Margareth Kammerer, Rico Repotente, Todosch Schlopsnies, Yusuf Ergün.

Porto Blues


Rico Repotente
Lucile Desamory
Fernanda Farah
Yusuf Ergün
Laura Mello
Eduard Mont di Palol